The medium of ceramics was largely new to Picasso when he began working at the Madoura Pottery at the South of France in 1947, but he immediately saw the potential of this traditional craft and set about learning and challenging the techniques of the ceramicist’s art, reinterpreting it with a remarkable resourcefulness and his characteristic spontaneity. From zoomorphic jugs and vases to plates and salvers emblazoned with scenes and faces, Picasso’s imagination was matched by the malleability of the ceramicist’s medium.