AUCTION HIGHLIGHTSFriday’s auction was led by an extremely rare print of Pelikan Tinte by El Lissitzky, which realized $462,500 (estimate $300/500,000). Among the Russian-born artist’s most famous works, Pelikan Tintecombines photogram and typography to stunning visual effect, marking Lissitzky’s shift from painting to his focus on photography and architectural projects. The rare work was further distinguished by its provenance, coming to auction after being in the personal collection of Manfred Heiting for nearly 30 years.

Fashion photography performed strongly throughout the sale, as bidders clamored for iconic images of the 20th and 21st centuries, including works by Richard Avedon, Helmut Newton and Irving Penn. The genre was led by Penn’s platinum print of Black and White Vogue Cover which fetched $187,500 (estimate $150/250,000). The image was first published on the cover of the April 1950 issue of American Vogue, as the lead illustration for its feature article, ‘The Black and White Idea’. With its simple yet potent use of clean lines, symmetry, and positive and negative space, Black and White Vogue Cover was not only Penn’s first monochromatic cover, but also the first non-color Vogue cover in nearly 20 years.

Nickolas Muray’s never-before-seen images of Frida Kahlo, Diego Rivera and Miguel Covarrubias sold for $35,000 – establishing a new world auction record for the artist. The group of 78 photographs represents the most significant offering of work by the photographer to appear at auction. A prolific photographer for Vanity Fair and Harper’s Bazaar, it was during his trips to Mexico visiting Covarrubias that Muray met Frida Kahlo, with whom he had a decade-long affair beginning in 1931. With sitters ranging from writer Carl van Vechten, composer Carlos Chavez, and illustrator John Held, Jr., to social realist artist Marian Greenwood, muralist Roberto Montenegro and actress Margo Albert, the photographs offer fascinating insight into the cultural landscape of Mexico in the 1920s, '30s, and '40s.

Three impressive mural-sized prints by Ansel Adams sold on Friday, including the horizontal version of Aspens, Northern New Mexico, which realized $187,500. American Modernism was represented further by Imogen Cunningham’s Orchid Cactus (Cactus Blossom), which fetched $150,000 (estimate $120/180,000). This masterfully-rendered enlargement, with the blossom’s anatomy filling the frame, is the only known print of this image.