Jean Tinguely und Claude Lalanne, Impasse Ronsin, ca. 1960, Foto: Hansjörg Stoecklin
Abbildung: Jackson Pollock, Figure, 1948, Städel Museum, Frankfurt am Main, Eigentum des Städelschen Museums-Vereins e.V., © Pollock-Krasner Foundation / VG Bild-Kunst, Bonn 2021, Foto: U. Edelmann
Roy Lichtenstein, Two Paintings Craig..., 1983
Ausstellungsansicht / Exhibition view MISFITTING TOGETHER. Serielle Formationen der Pop Art, Minimal Art und Conceptual Art MISFITTING TOGETHER. Serial Formations of Pop Art, Minimal Art and Conceptual Art Photo: Klaus Pichler © mumok
Mapping the Collection
Lot 24 Property from an Important Private Collection  Roy Lichtenstein  Figures  signed and dated 77 on the reverse oil and Magna on canvas 44 by 100 in. 112 by 254 cm. Estimate $6/8 million
Prints from the Collection of David Teiger, Led by a Rare Set of Jasper Johns’s Cicada from 1981 Estimate $300/500,000
Lot 24 Jasper Johns Flags I (ULAE 128) Screenprint in colors, 1973, signed in pencil, dated and numbered from the edition of 65 (toal edition includes seven artist’s proofs), on J.B. Green paper, framed Sheet: 699 by 889 mm, 27 ½ by 35 in. Estimate $1/1.5 million  Sold for $1,575,000
Lot 43 Jasper Johns Untitled signed and dated 1983 monotype on paper 37 1/2  by 96 3/8  in.   95.3 by 244.8 cm. Executed in 1983, this work is unique.  Estimate $1.5/2 million Sold for $2,535,000 AUCTION RECORD FOR A MONOTYPE BY THE ARTIST
roperty of a Gentleman Sayed Haier Raza Ville Provençale Oil on canvas 41 1/4 by 78 7/8 in., 104.7 by 200.4 cm Painted in 1956 Estimate upon request
Lot 35 Sam Gilliam Untitled signed and dated 68 on the reverse acrylic on canvas 62 by 66 1/2 in. 157.5 by 168.9 cm. Estimate $200/300,000
Roy Lichtenstein The Red Horseman, 1974 Öl und Magna auf Leinwand / Oil and magna on canvas 213,5 × 284,5 cm Museum moderner Kunst Stiftung Ludwig Wien (Leihgabe / on loan from Sammlung Ludwig / Ludwig Collection) seit / since 1979
Jasper Johns, Ohne Titel, 2013 Tinte auf Plastik 69,9 x 91,4 cm © Jasper Johns/ © Bildrecht, Wien 2014 Foto: © Jerry Thompson