Design: Ana Domínguez Design: Ana Domínguez - Mit freundlicher Genehmigung von: MuseoThyssen

Wer: MuseoThyssen

Was: Ausstellung

Wann: 01.04.2022 - 30.06.2022

A tiny candy-stick coloured pygmy pipehorse discovered in fall 2021 in a small area off New Zealand’s north coast has been given a Maori name. The local iwi (tribe) was the first Indigenous group to formally name a new species of animal. In an overdue recognition of traditional knowledge, this is the first animal in the world to have the naming authority include a tribal…
A tiny candy-stick coloured pygmy pipehorse discovered in fall 2021 in a small area off New Zealand’s north coast has been given a Maori name. The local iwi (tribe) was the first Indigenous group to formally name a new species of animal. In an overdue recognition of traditional knowledge, this is the first animal in the world to have the naming authority include a tribal name. (Eva Corlett for the Guardian, October 6, 2021.)

Names are important, as are the stories carrying on these names, the stories that need telling and call for being listened to. TBA21–Academy’s Ocean Fellowship 2022 is conceived as a collaborative effort to share relations with the Ocean in different parts of the planet and to recognize their differences and common grounds. We aim to engage with Indigenous perspectives upon what is and what could be the Ocean and how bodies of water should be treated from an Indigenous perspective.

In collaboration with The Sámi Pavilion at the 59th Venice Biennale in 2022, the Office for Contemporary Art Norway, aabaakwad, and Artis, the Ocean Fellowship 2022 gathers participants to consider our kinship and duties of care toward the Ocean and its relations in multi-species communities and with diverse lifeforms. What are our responsibilities toward the Ocean? How can thinking from the Ocean build radically inclusive environments? Indigenous perspectives are brought to the center of our work to define resurgent values, forms, and stories and intertwining knowledges of the past, present, and futures of the Ocean we are all in relation with and dependent upon.

The Ocean Fellowship facilitates connections across the diverse localities, knowledges, and oceanic routes of its fellows and mentors, who will spend time together in Venice exploring opportunities to learn through oceanic Indigenous methodologies that will also reach a wider audience through the Academy’s ecosystem: Ocean Space in Venice, Ocean-Archive.org, and OCEAN / UNI.

The 2022 program supports four fellows and the two mentors, Rebecca Belmore and Harald Gaski (to be confirmed), who will conduct individual and collaborative research with an awareness of oceanic worldviews and marine histories. They will combine an understanding and recognition of Indigenous marine governance and leadership, exploring non-binarism as a philosophy, equality, social justice, jurisprudence, and justice strategies that protect the water. The Fellowship continues to bring attention to storytelling as a methodology, as an action that portrays and conveys a territory, a mindset, and a substance, encouraging intergenerational exchange, building resilience in communities. The water between us binds us.

EligibilityThe 2022 program is looking for four fellows who identify as Indigenous and/or who align themselves with Indigenous issues. Artists, activists, scientists, and practitioners from all fields are encouraged to apply for the fellowship. Applicants should engage critically with oceanic subjects.

ObjectivesDuring a three-month residency at Ocean Space, Venice, the selected four fellows under the guidance of the two invited mentors, Rebecca Belmore and Harald Gaski, will engage in conversations and exchange, share their own practices, host open and closed workshops, and develop public sessions connecting the Venice community and collaborators (like ISMAR-CNR, UNESCO, Ocean-Archive, Ca’Foscari, Samí Pavilion, for example) with local and international audiences as accomplices and participants in the development of a set of principles for Ocean kinship.

Venice as a landmark of the climate crisis and an international platform will serve to amplify the multiple voices of the Ocean Fellowship. The program engages with situated knowledges and aims to share research and process, connecting it within the multifold activities of TBA21–Academy.

TimelineMarch 2022: introductory sessions (online) April 1–June 30, 2022 residency on-site in Venice October–December 2022 (three months) online involvement in seven sessions of Ocean / Uni fall semester 2022. More info about previous Ocean / Uni programs can be seen here.

SupportThe Ocean Fellowship program will offer a total allowance of 4,500 EUR per fellow for the full duration of the program, in addition to covering the travel to and from Venice and accommodation in Venice for three months (subject to one return ticket and modest accommodation in accordance with the travel policy). The allowance may be subject to tax, status will be determined on a case-by-case basis. We will support each successful applicant individually in the process of securing additional support as well as clearing visas and medical insurance.

 

 

HOW TO APPLYSee the online application form below:ONLINE FORM

Supporting documents required:Personal statement: You can submit this expression of motivation in any medium or format you wish (text, image, sound…) as long as it is a single file with a maximum size of 100 MB References to your previous experiences and projects relevant to the fellowship program. [A single file with a maximum size of 100 MB.] Names and contact details of two references familiar with your research.

If you are having any issues submitting the form, please get in touch via email: oceanfellows@tba21-academy.org.

Selection procedureAn international jury composed of Ocean Fellowship mentors artist Rebecca Belmore and Professor of Sámi Culture and Literature Harald Gaski; Brook Andrew, artist; Katya García-Antón, director and chief curator, Office for Contemporary Art Norway; Wanda Nanibush, curator, Indigenous art, Art Gallery of Ontario; Markus Reymann, director of TBA21–Academy; and Megan Tamati Quenell, Curator of Modern & Contemporary Maori and Indigenous Art at the Te Papa Tongarewa Museum of New Zealand will select the candidates.

The criteria for selection are based on the quality of the applications and the aim to form a multigenerational and diverse group. Candidates may be invited to online short interviews with the members of the jury in mid-January 2022.

Due to the latest Covid-19 regulations for international, national, and local travel and access to public spaces (including museums, art centers, restaurants, etc.), selected candidates will be required to prove their vaccination status. Further changes in applied regulations will be closely observed in accordance with the latest restrictions in Italy and for international travel.

DeadlineThe application deadline: Thursday, December 23, 2021, at 12:00 CET Successful candidates will be informed by email in the last week of January 2022.

Tags: Filme, Installationen, Malerei, Skulpturen, Zeichnungen

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