Alex Da Corte was born in Camden, New Jersey, and lives and works in Philadelphia. After training as an animator at the School of Visual Arts in New York City, he received a BFA in Printmaking/Fine Arts from the University of the Arts in Philadelphia and an MFA from Yale University. Working across a range of media including film, performance, painting, installation, and sculpture, Da Corte’s practice is invested in deconstructing and reinventing those objects and cultural icons that are not only familiar and beloved, but also contested. His work was included in the 2019 Venice Biennale and the 2018 Carnegie International in Pittsburgh. Museums that have mounted solo exhibitions include the Prada Rong Zhai (2020), Kölnischer Kunstverein in Cologne (2018), Secession in Vienna (2017), MASS MoCA in North Adams, Massachusetts (2016), and the Museum Boijmans Van Beuningen in Rotterdam (2015). In March 2020, Da Corte reinvented Allan Kaprow’s performance Chicken (1962) as part of Invisible City: Philadelphia and the Vernacular Avant-Garde.