Ari Benjamin Meyers, Who’s Afraid of Sol La Ti? (Invention 1), 2016 Performance, 15 meta-scores, 1 theme, 49 modules, 15 overhead projectors, performance protocol and the right to stage the performance in consultation with the artist Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul Photo © Andrea Rossetti
melanie bonajo: Schule der Liebenden, 2023, full HD single channel video with sound, 38:46 min. produced in coll. with HORA Theatre Zurich, Courtesy the artist & AKINCIbilder
Philipp Gufler: „The Beginning of Identification, and its End“, 2024 video installation, two-channel, 2K, 19 min., music: Rory Pilgrim, camera and color correction: Leo van Kann, sound: Nathalie Bruys, speaker: Susanne Sachsse, contains adaptions of a performance by Ben d'Armagnac at Brooklyn Musueum, New York, 1978 and text fragments by Karl Heinrich Ulrichs
Ausstellungsgrafik - Unextractable: Sammy Baloji invites
Der alte jüdische Friedhof in Mainz * Foto: Deutsche Stiftung Denkmalschutz/Wegner
Napoleonskelch Bischöfliches Dom- und Diözesanmuseum Mainz (Marcel Schawe)
Walid Raad, Fickle Fall III, 2021, Exhibition view, Kunstenfestivaldesarts, Maison des Arts, Brussels, 2021
Walid Raad, Fickle Fall III, 2021, Exhibition view, Kunstenfestivaldesarts, Maison des Arts, Brussels, 2021
Hanne Lippard, I Missed Your Call More Than I Missed You, 2020 Artefact Festival at STUK, Leuven 2020 Photo: Kristof Vrancken
Wir leben auf einem Stern